Human rights

Oct04

A fatal encounter in war. A case of impact of PTSD on civilians in Christopher Nolan’s "Dunkirk"

Categories // Human rights

by Gianluca Cinelli

Evacuation from Dunkirk

Dunkirk tells a story of flight rather than fight. Between the end of May and the early days of June 1940 about 400.000 encircled British and French soldiers were evacuated in a few days from the beaches of Dunkerque, in northern France. Every available ship was employed for the rescue, including a number of private yachts and fishing boats. In the movie the crew of one of these private yachts play a major role, and their story suggests these few lines of reflection about a case of lethal encounter between combatants and civilians.

 

Jan14

The War as Moral Experience in Wittgenstein’s Secret Diary

Categories // Human rights, War and culture, War and conflict

by Patrizia Piredda

When he stopped his studies of engineering in Manchester, Wittgenstein moved to Cambridge to study logic under the guidance of Bertrand Russell because he believed that by comprehending the fundamentals of language, and therefore the limits of language, he would understand its essence,   as well as that of human beings, in primis, himself. 

For Wittgenstein, knowing oneself was indispensable because only the man who knows himself can improve himself and become morally decent. When World War I broke out, Wittgenstein volunteered in the Austrian Army because he trusted “the fact that the experience of war would permit him to understand, beyond any fiction and illusion, who – which kind of man, so to say, – he really was. Thus, it was clarity and truth about himself that Wittgenstein expected from the war” (Perissinotto 13).

Apr30

Reading War Photographs: Who is the photographer?

Categories // Human rights, Refugees and asylum seekers, War and culture, War crimes, Justice and punishment, Conflict resolution, War and conflict

María Manuela Fernández Sánchez

Reading War Photographs: Who is the photographer?

In an interview published in the newspaper El País (April 17, 2015), José Palazón, president of the nongovernmental organization “Prodein”, and winner of the XVIII Luis Valtueña Humanitarian Photography Award, remembers a conversation that he had with a prosecutor, twenty years ago, when he was denouncing the abuses against immigrants in Melilla, the Spanish enclave on the North African coast. Palazón complained that his efforts to gain visibility were not getting anywhere, to which the prosecutor replied: “Look for evidences. Take photographs”. Since then, it seems that Palazón has learned his lesson and the photograph “Desolate landscapes”, which he submitted to the Luis Valtueña photography competition has travelled around the world.

 

The full text is followed by a brief biography of the author.

Original versions of these photos can be found here:

 

Verne El Pais

The Guardian

Caesar photos: inside Syrian authorities' prisons

 

 

 

Normandy landings

Troups marching in France

General Bernard Montgomery

Pilots in World War II